{"id":9352,"date":"2019-07-01T17:31:58","date_gmt":"2019-07-01T17:31:58","guid":{"rendered":"https:\/\/redsemlac.com\/semmexico\/?p=9352"},"modified":"2023-07-21T14:50:14","modified_gmt":"2023-07-21T19:50:14","slug":"aurora-dupin-que-se-escondia-bajo-el-seudonimo-de-george-sand","status":"publish","type":"post","link":"https:\/\/redsemlac.com\/semmexico\/aurora-dupin-que-se-escondia-bajo-el-seudonimo-de-george-sand\/","title":{"rendered":"Aurora Dupin que se escond\u00eda bajo el seud\u00f3nimo de George Sand"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>Su \u00faltima biograf\u00eda desmonta varios mitos, manteniendo la singularidad\nde su compromiso con su profesi\u00f3n.<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Hortensia Hern\u00e1ndez<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SemM\u00e9xico\/Hero\u00ednas.net.  Ciudad de M\u00e9xico. 01 de julio 2019.- Tras el seud\u00f3nimo de George Sand se escond\u00eda Amandine Aurore Lucie Dupin\u00a0 (Par\u00eds, 1 de julio de 1804-Nohant, 8 de junio de 1876), famosa la escritora francesa del siglo XIX, hija de padre arist\u00f3crata y madre de la clase media.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aurora, se crio&nbsp; en la\nmansi\u00f3n de su abuela. Montaba a caballo, vest\u00eda como un chico y le\u00eda cantidad\nde libros.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Se cas\u00f3 por primera vez, a los 18 a\u00f1os,&nbsp; con el Baron Casimir Dudevant, del que tuvo\ndos hijos, pero este matrimonio fue un fracaso. En 1831, a los 27,&nbsp; se separ\u00f3 de su esposo y se instal\u00f3 en Par\u00eds\ncon sus hijos. Cinco a\u00f1os despu\u00e9s obtuvo el divorcio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Su primera novela, Rosa y Blanco (Rose et Blanche), fue\nescrita en 1831 en colaboraci\u00f3n con Jules Sandeau, de quien tom\u00f3\npresumiblemente su seud\u00f3nimo de Sand.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Despu\u00e9s de abandonar a su esposo, Aurora comenz\u00f3 a usar ropa\nde var\u00f3n y a fumar, aunque continuaba visti\u00e9ndose con prendas femeninas en\nreuniones sociales. Este \u00abdisfraz\u00bb masculino le permiti\u00f3 circular m\u00e1s\nlibremente por Par\u00eds, pero a consecuencia de esto, perdi\u00f3 gran parte de los\nprivilegios que obtuvo al convertirse en Baronesa.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Estuvo relacionada rom\u00e1nticamente con Alfred de Musset, y en\nsu c\u00edrculo de amistades se encontraban el compositor Franz Liszt, el pintor\nEug\u00e8ne Delacroix y los escritores Heinrich Heine, Victor Hugo, Honor\u00e9 de\nBalzac, Julio Verne y Gustave Flaubert.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tambi\u00e9n entabl\u00f3 una gran relaci\u00f3n con el compositor Fr\u00e9d\u00e9ric\nChopin que&nbsp; al aproximarse el invierno de\n1838, ten\u00eda su&nbsp; salud&nbsp; resentida considerablemente y su m\u00e9dico le\naconsej\u00f3 el clima saludable de las Baleares para mejorarse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">All\u00ed pasaron el invierno, y all\u00ed&nbsp; \u00e9l compuso la mayor parte de sus 24 Preludios\nop. 28. En la isla, se confirm\u00f3 el diagn\u00f3stico de su enfermedad: el joven\nm\u00fasico hab\u00eda contra\u00eddo tuberculosis,&nbsp;\ndicha enfermedad, entonces se catalogaba altamente contagiosa<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lo que ten\u00eda que ser un viaje de placer, salud y creaci\u00f3n,\nse convirti\u00f3 en un fracaso. En la Cartuja de Valldemosa, Aurora Dupin&nbsp; lo atendi\u00f3 en su dolencia junto con sus\nhijos. Cuando George Sand vuelve de Valldemossa escibi\u00f3 que regresaba de\nMallorca con tres ni\u00f1os y que el m\u00e1s pesado de los tres eraChopin\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este viaje fue luego descrito en su libro Un invierno en\nMallorca, publicado en 1855.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aurore Dupin falleci\u00f3 en Nohant (Francia), el 8 de junio de\n1876 a la edad de 72 a\u00f1os y se la enterr\u00f3 en tierras de su hogar en Nohant.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La ultima biograf\u00eda a ella dedicada desmonta varios mitos,\nmanteniendo la singularidad de su compromiso con su profesi\u00f3n a pesar de tener\nrecursos de vida suficientes, algo inusual en el siglo XIX pero que en\ndefinitiva nos indica que se adelant\u00f3 a su tiempo con esa aptitud.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"426\" height=\"599\" src=\"https:\/\/redsemlac.com\/semmexico\/wp-content\/uploads\/2019\/07\/Sand_big.jpg\" alt=\"\" class=\"wp-image-9353\"\/><figcaption> <br>Retrato por Eug\u00e8ne Delacroix <\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Obras<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Commissionnaire (con Jules Sandeau) (1830).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rose et Blanche (con Jules Sandeau, novela, 1831)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Fille d&#8217;Albano (1831)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Valentine (novela, 1831)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Indiana (Novela, 1832)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u00e9lia (novela, 1833)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Aldo le Rimeur (1833)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Une conspiration en 1537 (1833)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Journal intime (1834)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jacques (novela, 1834)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Secr\u00e9taire intime (novela, 1834)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Marquise (novela, 1834)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Garnier (cuento, Urbain Canel \/ Adolphe Guyot 1834)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lavinia (1834)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00e9tella (1834)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Andr\u00e9 (novela, 1835)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Matt\u00e9a (1835)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Leone Leoni (novela, 1835)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Simon (novela, 1836)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mauprat (1837)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dodecation, ou le Livre des douze. Le Dieu inconnu (1837)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Ma\u00eetres moza\u00efstes (novela, 1838)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Derni\u00e8re Aldini (novela, 1838)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;Orco (1838)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;Uscoque (novela, 1838)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Gabriel (dialogue, 1839)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Spiridion (novela, 1839)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Sept Cordes de la lyre (teatro, 1840)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cosima, ou la Haine dans l&#8217;amour (teatro, 1840)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pauline. Les Mississipiens (novela, 1840)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Compagnon du tour de France (novela, 1841)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mouny Roubin (1842)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Georges de Gu\u00e9rin (1842)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Horace (1842)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un hiver \u00e0 Majorque (r\u00e9cit, 1842)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Comtesse de Rudolstadt (novela, 1843)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La S\u0153ur cadette (1843)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kouroglou (1843)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Carl (1843)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jean Zizka (novela hist\u00f3rica, 1843)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Consuelo (novela, 1843)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jeanne (novela, 1844)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Meunier d&#8217;Angibault (novela, 1845)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Mare au diable (novela, 1846)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Isidora (novela, 1846)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Teverino (novela, 1846)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Noces de campagne (novela, 1846)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Evenor et Leucippe. Les Amours de l&#8217;\u00c2ge d&#8217;or (1846)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le P\u00e9ch\u00e9 de M. Antoine (1847)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lucr\u00e9zia Floriani (novela, 1847)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Piccinino (novela, 1847)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Petite Fadette (novela, 1849)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fran\u00e7ois le Champi (novela, 1850)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Ch\u00e2teau des D\u00e9sertes (novela, 1851)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Histoire du v\u00e9ritable Gribouille (1851)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Mariage de Victorine (teatro, 1851)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Fauvette du docteur (1853)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mont Rev\u00e8che (1853)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Filleule (1853)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Ma\u00eetres sonneurs (1853)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adriani (1854)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Flaminio (teatro, 1854)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Histoire de ma vie (autobiograf\u00eda, 1855)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Autour de la table (1856)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Daniella (1857)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Diable aux champs (1857)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Promenades autour d&#8217;un village (1857)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ces beaux messieurs de Bois-Dor\u00e9 (1858)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Elle et lui (escrito autobiogr\u00e1fico sobre sus relaciones con\nMusset, 1859)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jean de la Roche (1859)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;Homme de neige (1859)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Narcisse (1859)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Dames vertes (1859)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Constance Verrier (1860)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Ville noire (1861)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Valv\u00e8dre (1861)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Famille de Germandre (1861)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Marquis de Villemer (1861)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tamaris (1862)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mademoiselle La Quintinie (1863)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Dames vertes (1863)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Antonia (1863)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Confession d&#8217;une jeune fille (1865)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Laura (1865)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Monsieur Sylvestre (1866)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Don Juan de village (teatro, 1866)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Flavie (1866)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Dernier Amour (1867)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cadio (teatro, 1868)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mademoiselle Merquem (1868)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pierre qui roule (1870)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le Beau Laurence (1870)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Malgr\u00e9 tout (1870)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">C\u00e9sarine Dietrich (1871)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Journal d&#8217;un voyageur pendant la guerre (1871)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Francia. Un bienfait n&#8217;est jamais perdu (1872)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nanon (1872)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">cuentos d&#8217;une grand&#8217;m\u00e8re vol. 1 (1873)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ma s\u0153ur Jeanne (1874)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Flamarande (1875)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Deux Fr\u00e8res (1875)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Tour de Percemont (1876)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">cuentos d&#8217;une grand&#8217;m\u00e8re vol. 2 (1876)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Marianne (1876)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u00e9gendes rustiques (La Reine Mab. La F\u00e9e qui court.\nFanchette) (1877)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;Orgue du Titan (1873)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les Ailes du courages<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\ufeffSu \u00faltima biograf\u00eda desmonta varios mitos, manteniendo la singularidad de su compromiso con su profesi\u00f3n.<\/p>\n","protected":false},"author":3,"featured_media":9354,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[690,66],"tags":[],"class_list":["post-9352","post","type-post","status-publish","format-standard","has-post-thumbnail","category-690","category-extraordinarias"],"_links":{"self":[{"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/posts\/9352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/comments?post=9352"}],"version-history":[{"count":0,"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/posts\/9352\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/media\/9354"}],"wp:attachment":[{"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/media?parent=9352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/categories?post=9352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/redsemlac.com\/semmexico\/wp-json\/wp\/v2\/tags?post=9352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}